They co-starred in several films like Smokey and the Bandit, Smokey and the Bandit II, and The End.
#Sally field tv
Which meant building a career, not a house.Sally Field is an American actress, singer, director, and producer known for portraying various important roles in popular TV shows and films like Forrest Gump, Gidget, Steel Magnolias, and Lincoln. Part of me wanted to feel as if Steve knew what he was doing, that he could handle this part of our lives while I concerned myself with taking care of the kids and making a living.
#Sally field plus
I wouldn't have known a good investment from a hole in the ground, plus I remained frightened of anything financial and therefore had no idea how much money we actually had. And no matter how many reasons I gave as to why we couldn't and shouldn't, he'd come back with reasons why we absolutely could and should: He would build half of it himself, be part of the construction crew, devote his life to it, stressing the point he knew all about finances and was positive it was a good investment. He was like a kid in a toy store, determined to get what he wanted. Yet that's what Steve wanted to do: build a house. “But I wasn't working regularly, and Steve had no career at all, so building a fantasy home at that particular moment couldn't have been a completely good idea either.
She stood still for what seemed to be a long time, then began” When the short break ended, everyone took their seats again and quieted as a tall, striking woman, a character actor I vaguely recognized, moved to center stage, keeping her eyes down. After the actors explained their tasks, the moderator gave comments and finally asked for comments from the audience-all actors and members or, like me, invited observers. Eventually they sat on the edge of the stage with varying degrees of awkward composure until the moderator (I’m sorry to say I don’t remember who it was that night) asked them what they’d been working on. Tucking their emotions out of sight, just as they tucked in their shirts and tied their shoes. After the scene, the actors gathered their things and adjusted their clothes, never looking out at the watchers, talking only to each other, as if allowing themselves the few moments it takes to leave the privacy of concentration. Their focus made it worth holding my breath to catch whatever words I could, as if we, the audience, were eavesdropping on something personal happening between these two people, something that they would hide if our presence were known. I wasn’t familiar with A Moon for the Misbegotten, but even if I’d known it well, I wouldn’t have completely understood what was happening because whatever the two actors were working on, being heard wasn’t one of them. The lights went down and the first scene was up. But during the spring and throughout the summer Lee lived in L.A., and for those months it was the master himself who taught at this little neighborhood residence.
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